enner is a very expressive sound tool that can generate bits, pads, fx, noises, clicks, glitches, but also function as a cool vocal mic with built-in analog fx and much more! a musician with a rich imagination and who's experienced in playing enner can perform
an entire exciting gig using just this synth.
as an instrument, enner is a unique analog synthesizer with the key principle being that all signals that make sound pass through and are managed by your body. your hands become the central part of the circuitry. touching different contact pads with different
parts of your fingers and palms with different amounts of pressure, letting signals pass through your body defines the mixing, volume, timbre, feedback and other parameters of synthesis. human skin has much more complex electric properties than we think. our skin
provides not just resistance but also some capacitive properties and even nonlinear dependence of conductivity from current, its direction and time during which the current was applied. all of this affects the sound, making you the key part of the synthesis
process.
all pots of enner are metallic and also function as inputs or outputs. touching a pot can change not only the parameters but also patch the audio signals.
enner consist of:
the array of filters with fixed frequency properties (the triangle in the center): the stereo high pass filter (hpf), the stereo bandpass filter (high mid - bpfh), the stereo bandpass filter (low mid - bpfl), the stereo lowpass filter (lpf). stereo means that
the filters have separate inputs for left and right channels as well as separate outputs. sliding on the filters' pads with your fingers you can create a rich stereo image where each channel may have not only individual volume properties but also timbral ones.
the outputs of the filters are mixed together and connected to the main output. also in the triangle, you have a stereo direct input (dir) that lets you bypass the filters.
the modulated stereo delay. the input of the delay is the two pads on the top of the triangle (dly blue). the output of the delay is mixed with filter output and connected to the main output. also, you have delay output connected to the pads placed on the left
and right sides from the top of the triangle (dly orange) that lets you create feedback and other interesting effects. the delay has two separate lines (left and right) with individual time controls (bpemЯ pots), common feedback and the common pot that defines
the amount of self-modulation (bizzare). the bpemЯ pots are also touch inputs for delay time modulation.
on the right side of enner, there is a five-voice synthesizer with individual adjustment of frequency for each voice (tune knobs) with the possibility to change the pitch of all voices simultaneously (pitch knob). tune knobs are also the outputs of the voices, so
by touching them you can patch the voices to the filter's inputs. the synthesizer has separate output pads for each voice (pads out 1-5), individual modulation inputs (mod 1-5) and ring modulation outputs (the ring 12, 23, 34 numbers indicate which voices are
sources for the ring modulation). connecting mod and out pads of one voice with your fingers will pitch it up. the fifth voice has an additional modulation pad mod 5- which can shift the pitch of the fifth voice down (connect it to +12 pad or any pad that has
some positive signal including the output of the fifth voice).
on the left side of enner, there is the second synth that has one master generator, the output of which is divided six times by two with individual outputs for each stage of division (pulse 1-6). this synth is aimed at creating rhythmical clicks, basses and
octave tones. the frequency of the master generator is defined by the tempo knob. the output pads &1,2,3 are logical multiplications of different pulse outputs giving additional and more complex rhythm combinations.
enner is also an electro-acoustic noise instrument. it has a piezo pickup attached to the front panel that captures sound from the casing itself. there is metallic spring and you can attach rubber bands to the panel to create various acoustic sounds. the piezo
mic can capture clicks and scratches you make with your fingers, and it also allows you to create filtered feedback. not only that, it can even capture your voice singing over the panel! to get sound from the piezo you have to connect the piezo out pad with some
filters or delay inputs. applying filters and delay on the piezo out while the panel works as a mic, catching the audio signal from the speakers connected to the enner output lets you create very cool acoustic feedback-based effects. piezo gain adjusts the piezo
sensitivity.
the bottom of the triangle (noise pad) is the output of static pink noise.
external in (ext socket and ext pad) lets you send an external audio signal to enner and process it through the array of filters, delay and other enner stuff.
all of these features make enner a simple yet powerful kit of sound sources and fx that give you a rich and diverse sound palette with many possible playing techniques that you can change very fast as there is no other control over the sound other than your
touches.
specifications:
array of filters
pads dir - direct input (no filters)
pads hpf - highpass filter in
pads bpfh - bandpass filter high mid in
pads bpfl - bandpass filter low mid in
pads lpf - lowpass filter in
(l - left channel, r - right channel)
pink noise generator
noise - noise output
delay
pads dly(blue) - delay in
pads dly(orange) - delay out
(l - left channel, r - right channel)
pots bpemЯ - delay time (l and r) also time modulation inputs
the uroboros pot - feedback (both channels)
pot bizzare - delay self-modulation
piezo
pad piezo out - the output
pot piezo gain - piezo amplification (also piezo output)
the five-voice synth
pads out 1-5 - outputs of the voices
pads mod 1-5 - modulation inputs of the voices (try to connect them with out)
pads ring 12, 23, 34 - outputs of ring modulators that multiply outputs of different voices
pad mod 5- - an additional modulation input for the fifth voice (try to connect it with +12)
pots tune 1-5 - frequency of the voices (also voices outputs)
pot pitch - transposing all voices at once.
rhythm\bass synth
pads pulse 1-6 - output of binary dividers
pads &1, 2, 3 - additional outputs that are logical and of different pulse outputs.
pot tempo - the frequency of the source generator
enner v2.0 has an additional 3.5mm jack next to the pot tempo.
that is an external clock input that can drive the rhythm synth. (7 volts 0-to-peak or more is required)
external
socket ext - external in
pad ext - connected to ext socket tip
power
+12v center + 0.2a. enner requires a good stabilized and filtered psu. soma recommends contemporary switching mode psus with a wide input range. the psu is included.
grounding
in order that when playing on enner there would be no hum from the electricity grid interferences, the device must be properly grounded! a normal grounding connection at the electric socket, which is carried through the power cord to your audio equipment to which
the enner is connected, is sufficient.
disclaimer:
enner is a body-patching synth. it means that some weak current flows through your body. the voltage applied on the pads does not exceed 12 volts and is absolutely safe for humans and animals. it is just slightly more than the voltage in the pp3, e-block battery
that's typically used in children's toys. for the majority of people, it doesn't cause any sensations in their fingers, except for some subtle ones that may happen in some patches. soma considers these sensations to be a normal side effect, just like playing
guitar can cause calluses on your fingertips. however, some people can be more sensitive to electricity and may experience unpleasant sensations while playing enner. please note that soma does not accept the experiences of sensitive users as a case of
faulty hardware or warranty case. if you are one of the exceptionally sensitive people out there, perhaps a body-patching synth is not a good choice for you. please consider this when making your decision about purchase. also, if you have a cardiostimulator or
similar medical device installed in your body, please consult with your doctor before buying and using enner!
enner uses pots shafts as additional contacts for patching. this is not a standard usage of pot construction and is designed without a guarantee of constant and good contact between pot shaft and pot body where the signal is connected. so during the rotation of
the pots some crackles may happen once in a while if you use the pot as a sound output at the same time. as this function is experimental soma does not accept the presence of such crackles as a reason to consider your unit faulty and open a warranty case. also,
several turns of the pot back and forth usually makes the contact good again. bottomline, this is an experimental function and an unusual usage of pot construction, so soma hopes for your understanding when it comes to the pots' performance and the unique
functionality our innovative approach offers.
enner uses a pcb as the top panel. the pcbs are produced in an electronics factory using standard production procedures. due to this, the pcbs may have minor scratches and marks inherent to the manufacturing process. such small defects will be almost invisible in
most cases without a close inspection and will not be accepted as a reason for return or exchange of the product! obviously, soma discards all seriously damaged or defective pcbs and don't use them for enner.
as all audio signals in enner flow through your body, some weak hum and interferences are always present in the audio output even with a good grounding. however, if the grounding is done properly this hum will not be audible in a real performance (you can check
its level in the video below). such a weak hum that you can hear touching enner inputs doesn't mean that your unit is faulty and is not a case for warranty repair or replacement.
